A former superior of mine told me a slightly similar tale of his university course – and one oddly relevant to this forum.
The test question was to imagine a conical mountain of H height, A angle, etc. A railway spirals down from the summit to the plain, rather like a helter-skelter. A truck weighing M runs freely down it. …. Calculate its speed at the foot.
My manager said there were 20 marks allocated to it, but he made a simple arithmetical error right at the end…. and was given 0 out of 20.
Protesting, he was told gravely, something like "Mr. E—, in the real world the answer has to be correct!"
.
On Argand diagrams and imaginary numbers, though they are above anything I ever learnt (well, was taught…) might these be exemplified by a graph produced by a standard test of electro-acoustic transducers?
These resonate at a given frequency and the test applies a broad frequency run of pure sinusoidal electrical signals with the resonance expected somewhere in the middle.
The resulting graph is of impedance v. conductance, or vice-versa, I forget exactly. For a well-behaved transducer element the trace is a loop; a circle with a near-vertical approach and exit asymptotic to the y-axis. All values are positive but the resonant frequency typically lies half-way round the loop, on [x=something, y=0). It's a bit like the steam-engine indicator-diagram in that it conveys a lot of diagnostic information on the subject.
I was paid just to test the things. The scientists did the analysing, but I did ask one what the curve is. "The real part and the imaginary part" , I was told, as if that answered everything.
Art one point I chanced across a paper on investigating the so-called "wolf note" that can be produced on a cello. Not intentionally, I don't think! The paper briefly described the mechanical bowing arrangement set up on a cello in an anechoic chamber, then set off into the realms of Very Hard Sums Indeed. Among them though, I recall seeing a very similar loop graph, though of mechanical equivalents to the electrical characteristics.
So I take it this is widespread in such fields as vibration and harmonic analysis.
When though was the Argand diagram – if these impedance and cello-note loops are indeed such a graph – invented? Did it pre-date such physics but happened to find itself in such areas?
Edited By Nigel Graham 2 on 30/05/2022 22:49:00