John –
Thank you!
I don't have a milling-spindle but you jogged my memory of a large, simple, rather unprepossessing adjustable angle-plate of unknown ancestry and original purpose, quietly mouldering in a dusty corner.
I exhumed it, and after some work with a wire-brush, Plus-Gas and oil, found it will just hold my 6-inch rotary-table, using 2 of the assorted holes in it.
I was thus able, via some experimenting, to mount that combination on the mill and centre the table by a plug in the spindle. I used a similar method, with the shank of a 6mm drill held upside down, to then centre the grinder's slide base on the RT for clamping down.
To cut the radius, I tilted this ungainly tower of metal to 75º from horizontal, set by adjustable-square, and eased the steel away by lots of very shallow, steady passes with an end-mill.
As you found, milling doesn't leave a very pretty finish but it yielded to draw-filing and a final touch with wet-&-dry paper.
Then it was time to stop for tea, rather neatly between the end of the In-Tune Mix Tape and the concert, recorded in the Alexandra Palace Theatre in December 2019, a month before many of us made our way up those imposing steps….. .
As I locked the workshop door for the night, I could hear one of the frog-pond's residents in full cry. They are very sensitive to vibrations though, and although I walked as softly as I could in safety-shoes on concrete, he (or she?) stopped croaking and dived into the depths with a soggy "plop".
The set-up is still there for cutting the fiducial lines, using the rotary-table's divisions but also marking their positions by dividers as in the kit's hand-book. Belt and braces. I've also to find a suitable engraving-cutter.
That's tomorrow's task….