Another stage in turning the upper part of the venturi for my steam-wagon's chimney, out of cast-iron billet.
… Errr, step back a bit.
I'd set it in the 4-jaw on my Harrison L5 and gently turned a central band to take the fixed steady. Only found I could not move the steady back far enough to engage it as its clamp-plate was jamming on something under the ways.
Step back a bit further.
I'd acquired this much pre-loved lathe complete with a fixed steady for a diffwerent machibne and no clamp-plate. So by dint of some rather awkward setting-up I'd modified it to fit and made a simple clamp out of thick mild-steel flat. So why was it jamming?
Excrescences in the bed casting, so yesterday I filed them down a bit, and put some chamfers on the plate. Then found pushing the steady back enough for the work-piece put the clamp out into the gap. Only, if I put the gap-bl0ock in th eplate would not enter that.
So this afternoon's task was fettling the gap-block and putting bigger chamfers on the clamp. Now it fits!
Right, now I could turn the billet's end diameter and face it! Why do so many model-engineering tasks need so much workshop-engineering?
Finished in time to close up, unearth myself from the oil and graphite, have tea and settle down to…
The First Night Of The Proms!
With a proper audience too, socially-distanced BBC Symphony Orchestra (on an enlarged stage), and in the Royal Albert Hall's 150th year. The presenters told us this season will mark that with a goodly set of programmes for the RAH's magnificent 9999-pipe organ. (You'd think the organ builders, Willis I think, would have managed one extra note somewhere!)
The two main pieces were among my favourites too. Oh I am spoiled. Poulenc's Organ Concerto, and Sibelius' Second Symphony.
.A complete change of tone for tomorrow's Prom, with an evening devoted to the big Broadway musicals.