Nothing wrong with using aluminium save one thing – impossible to get a colour on it as on steel. There was coloured ali available but to me it does not have the same look as steel – depends on how you see the finished model representing full size.
Tempered shim steel is relatively easy to work – I use a ground hacksaw blade to scribe (score) and gently bend to break along a line. It can also be cut with a jewellers saw filed and drilled without issues and even milled if held down properly – clamped between two sacrificial pieces of ali or steel.
I made the lagging in one piece held with small section brass strips at the top edge.
I think you will have to do it in two pieces as the modified cylinder "feet" will not allow a single sheet to be wrapped around the cylinder so maybe something line this (feet not shown)
Ah, I'd overlooked the feet modification Jason – I think I'd be inclined to do it as two halves though with the split line along the length underneath with cut outs to clear the feet.
On the 10V, the anodised aluminium was damaged, so after cutting and drilling it to fit, I sprayed it with Satin Black. I was in two minds whether to get another piece, but in the end concluded I would only scratch it at some point. It looked ok in the end.
Also – if using very small brass BA screws (14/16 BA) as fasteners – it's a lot less stressful to drill and tap small individual brass inserts in the lathe and fit them to suitable holes in the casting rather than drilling and tapping the casting itself.
Now that is a cunning idea! Do you then Loctite the brass inserts into the hole in the casting?
For me, the tapping of all those tiny holes is the big bugbear of doing small model work. The fear of snapping a tap off in the last hole in an expensive casting with days of machining work already gone into it is always there. This sounds like a great solution. Thanks for the tip.
I'm not sure if you are aware so I hope you won't mind me saying but the annealing of cast requires very slow cooling – as long as possible infact. It's best to bank the coals over the parts and allow the fire to die down completely before exposing or to bury the red hot casting in fire ash kept for the purpose and leave overnight. I have a large container of it just for that purpose. Any chill the casting may experience if the cooling is not controlled could lead to inducing hardness or cracking.
Hopper, Nothing cunning about it just an idea born of the same fear of yourself – breaking the tap!
Yes the parts are loctited in – they are tapped blind so that the loctite does not enter the thread. I shall be doing this on the latest build in due course.
Here's some pics of the Double Ten rebuild which Doc G may also find of use
This looks far messier than it was- I used the silica powder to thicken the JBW into a thick paste to reinforce that central bush
Presumably the brass/gunmetal castings aren’t treated like this?
Er No. Most definitely no
Sounds like the two parts will be okay – when I had the table for my mill cast the foundry put it in the furnace and left it overnight to cool – machined like butter
Presumably the brass/gunmetal castings aren’t treated like this?
Er No. Most definitely no
Sounds like the two parts will be okay – when I had the table for my mill cast the foundry put it in the furnace and left it overnight to cool – machined like butter
Ramon
I’m guessing no post-machining heat treatment is needed? Surely it doesn’t make them too soft?
Talking of minimising risk of messing up a casting – I’ve been reading about the procedure for getting the rope grooves in the flywheel.
I can see me screwing this up, but I’ve seen some examples with a separate band – with the grooves – fitted to the o/d. I think I might do that, because I also like the look of a thin band of different material around the circumference, maybe slightly overhung with a chamfer on the inside?
Thanks Ramon. That takes about 10/10ths of the stress out of small tapping for me. Going from working on Harleys to that small stuff is sometimes a challenge. 150 ft lb one day, two fingers the next.
Doc you will be getting close to the point where the GM castings will bend under their own weight if not actually melting. Also they don't tend to suffer chill so no need to heat treat, just hope there are not oxides in them which is unlikely on Stuart castings.
The smaller iron parts are the ones that are more likely to want heat treating as being thin they cool much faster after casting than say the flywheel which is all reasonably large sections. The Valve chest cover and cylinder end covers will be the most suseptable. I've been working on the donated Victoria today and the partly machined valve chest cover was definately harder than the other iron bits so I played safe and finished i with carbide
Unless it's cast material then a ring will not have the right 'colour' if it is a scale effect you are wanting. Personally I would not go down this route as that's a deep ring to get aligned over two flywheel widths. Not saying it can't be done but it has potential difficulties especially if it gets locked before fully in place.
Grooves themselves are easy enough to form but it's much easier if you gash the grooves first with a narrow tool then use a form tool rather than try to do it all in one. The latter usually leads to chatter and needs very slow speed to possibly prevent it.
I have a feeling that somewhere I may have the tool I ground for mine – if I can find it you can have it. I know I still have the form tools for the cross head spacers – so you might be in luck.
Glad that was of use Hopper – now all you need is some (in)expensive 14 BA taps
If you were to do it them roughing out the ring and flywheels before assembly would save having to worry about getting things lined up as you could then final turn the outside and bore the hub as one "casting" Could even slip it together with JBW to get a longer assembly time.
It's a shame that RDG don't do their reasonably priced 8" dia x approx 3" wide flywheel castings now as that would have been ideal to use and had a nice bit of weight to boot. I've still got a couple tucked away.
I would have thought that you two plastic model makers would have perfected a paint finish to replicate cast iron and that blue brown of iron cylinder clading, can't be any harder than the rust I did on the Heinrici
Thanks for the offer of the tool Ramon. I assumed a series of 60 degree v slots would suffice, but it seems to be a specific profile – I suppose a circular or radiussed form? I know it’s in the instructions, but they’re not to hand. So couldn’t the finished rim be made size-for-size and heated in the oven, the just pushed into place with some Loctite for good measure? Not like it’s under load. Maybe it’s just over complicating things though.
Jason – you mentioned your Twin Victoria before – is there a thread somewhere – can’t see it?
What is the cladding cover you’re talking about? Can’t picture it.
Anyway, all the iron castings are now in the fire – I’ll leave them untouched this time until they’re cold in the morning.
I certainly wouldn't recommend using a size for size fit and expanding the outer. If that cools before seating all the way home it will be well and truly stuck. I know a lot of wheels had tires fitted by expansion but these were craftsmen doing it day in and day out in controlled circumstances
The issue of a large diameter relevant to it's length is one of wringing – if it gets out of line it can very easily jam – sometimes solidly! Much better to do as Jason suggested and have a good loose fit – maybe 5-6 thou clearance and apply the wheel with JBWeld to give you lots of time and movement to get it right – the JBW can be used as a fillet too should you want.
I know I mentioned it before but it's worth repeating – the only thing wrong with the flywheel as drawn is that the grooves and spacing are over scale for the type of engine you are building. It is a specific profile in real life I think it's narrower than 60 degree and has straight sides at its outer edges.
Jason, Much as I enjoy simulating metallic surfaces on plastic models I don't think I would want to use the technique on a model engineering project – some of the latest finishes are good, extremely good infact but I don't think you'd fool a model engineer with them – that is on a 'model engineering' project
All you need to know about rope grooves though as Ramon says those ribs between the grooves would not scale well and likely break up.
It's a single Victoria that I am doing and will be quite close to how Mr Stuart intended, No photos or thread yet, I will wait for the change in forum software.
I was talking of replicating the look of the traditional blued steel or "Russian Iron" used to clad cylinders, It's a blue brown much like the darkest of temper colours with a hint of the underlaying steel so would need to be done with a transparent acrylic which is probably more something I'm used to with artwork than model making where opaque colours tend to be used more even if diluted to washes.
I thought the Princess Royal was more to scale with its 12 grooves? It does mention the flanges being very fragile, which is why they were omitted. The drawings show 40 degrees included angle, not 45, but minor detail.
Multiple layers of a Blue/Brown varnish misted over bare aluminium with an airbrush might look ok, or even Alclad, but it’s a fragile coating.
I'm not familiar with the PR layout – I was referring to the original Stuarts drawing. Twelve grooves would be much more in keeping.
It appears there are several angles of rope groove depending on source. Spooners machine construction gives 40 degrees with flanges and 30 degrees for ropes up to 1" diameter without. Personally I'd go with the 40 degrees – 30 would look too fine and 45 may raise the chatter problem though doing each side of the groove separately would ease that issue.
I'm up for the qualities of Alclad and AK Extreme metal paints but theres no way I would introduce them onto a model engineering project as a compromise. 'Blueing' shim steel is not difficult and does replicate the original very well but as always it's down to the individual – everything is about choice.
No I’d rather not use paint to replicate an engineering finish. I used paint on the 10v because I didn’t know any better, and also because the chances of machining anodised plate without damaging it would be slim for me. As a post machining finish maybe.
Looking at full size the clading sheets are not always left with the blued finish, quite a few are painted in the same colour as the rest of the cast metal or even a contrast. So that is another option.
Looking at full size the clading sheets are not always left with the blued finish, quite a few are painted in the same colour as the rest of the cast metal or even a contrast. So that is another option.
TBH I was going to keep the Meccano dark blue and satin black scheme from the 10V. Same blue for the Minnie. Yes, I know its not very adventurous, but I like the contrasts with steel and brass, and it would be a kind of signature finish for the three models I’ll end up with. I noticed a couple of other 10Vs in blue on the forum recently, I think one might have even been the exact same paint. Usually they’re green from what I’ve seen online and at the couple of shows I’ve been to.
TBH I was going to keep the Meccano dark blue and satin black scheme from the 10V. Same blue for the Minnie. Yes, I know its not very adventurous, but I like the contrasts with steel and brass, and it would be a kind of signature finish for the three models I’ll end up with. I noticed a couple of other 10Vs in blue on the forum recently, I think one might have even been the exact same paint. Usually they’re green from what I’ve seen online and at the couple of shows I’ve been to.
Definitely would agree with that principle Doc – stick with it
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