LOL!
I'll remember that when next using my Drummond shaper.
Ummm…., if pop music is too fast for shaping.
The Swan from Saint-Saens' The Carnival of the Animals? A bit short perhaps.
Neptune, from Holst's Planets Suite? That's in a non-even time-signature, 5/4 I think, so cutting stroke in 3 crotchets, quick return in 2.
Sibelius' Second Symphony? Well, it does last for a good half-hour or more, and the last section especially is highly rhythmic with lots of power-bits interspersed with more peaceful bits – only that risks uneven stroke-lengths hence uneven feed!
==
A friend who is a fireman (the putting-out, not Long Drag, type) told me of a colleague who used Stayin' Alive on a real "shout", not realising he was overheard by one of the casualty's relatives….
…. who only went and complained.
I remarked to my pal that that seemed a tad ungrateful, especially as the casualty did indeed Stay Alive.