Michael,
No it's a perfectly reasonable assumption to doubt this. To be honest when I first went there I thought it was a wind up and it took a couple of days on the shop floor for it to sink in that they were serious.
First off the wood was seasoned beech, maple or hornbeam, we are not talking about old window frames here so very stable. Moisture content was 11% and our own kilns which could handle artic loads could work to plus or minus 1 percent.
Machines were automatic feed cam driven and placed the part into steel vices also clamped by cams. Many of the parts has up to 5 holes in them. Many were bored thru the vices and they would have clearance holes which were then brazed up and redrilled to act as drill bushes or wooden plugs of lignum vite.
Drills were usually held in special high speed spindles running at 200 Hz for 12,000 revs or 400 Hz for 24,000 revs.
Similar the the high speed spindles sold by ARC but these were German Persche <sp> spindles and cost about 1K each, had a working life of 2 years before needing to be reconned.
The shop had 3 ring mains, conventional 440v 50 Hz, 220v 200 Hz and 240v 400 Hz, the latter for the high speed spindles and this power was supplied by two large motor generators at the bottom of the shop. We probably ran in excess of 40 high speed motors
Drills were conventional high quality jobber drills, usually Guring, tanen out of their wrappings and measured then stacked by size. It was normal to get say 1.8mm drills to measure from 1.798 to 1.803mm out of the same packet. They were then ground into 3 point wing and spur drills. When I first went there this was done by hand on a range of grinders which were nothing more than a row of motors with wheels on both ends, no guards and no rests, everything was by eye. later we paid £12,000 for a Christian grinder will all the attachments which speeded the job up no end.
When a drill broke or got blunt. it would be replaced with a new one and the fun would start. A few test pieces would be drilled and checked with go – no go pin gauges with 1/2 thou differences. If you were dead lucky they would get passed by a travelling inspector who did nothing but move from machine to machine taking pieces and testing on pins and gauges. If it was OK he'd sign the machine off.
Usually it was too sloppy so you would try smaller drill from the same batch and even stone the edges with a stone that looked more like a mirror, probably a 100,000 grit. Often you could spend a good couple of hours getting the machine back on line before you moved onto one the inspector had closed off. We had two guys doing nothing but change drills and another guy doing nothing but sharpen drills tools knives and scissors.
We made nothing but piano actions and keyboards for uprights and grands for all the major manufacturers, all they made in hose was the carcases. Steinway, Kemble, Kimble Bechstein, Baldin and Bosendorfer to name but a few of the more famous ones.
We made all our own springs, hammers and all the felt components. Any moving part on an action ran on pins 0.0505" in diameter, a standard reached in the late 18th century but unfortunately a size no drills exist for. In the early days of the 20th century they made drills by filings tool steel wire down, hammering and filing into a spade bit then hardening. In my day we bought HSS drill blanks in exact size then hand ground these into spade drills.
Every working hole was bushed with a felt bush made from a strip of felt glued on one size then formed into a 'U' then rolled up and pushed into the hole.
A very hard process in fact the machines that did this were that secret they were in a locked room and the operators were sworn to secrecy.