In my opinion, when buying second-hand, only condition matters. The brand and lathe model are almost irrelevant unless the machine has been well-maintained, bear in mind a Super 7 could be 70 years old and been thrashed. Looks are deceiving: a grubby Myford that had a good owner could be in much better condition than a tarted up wreck. As Myfords attract premium prices, there is a certain trade in tarted up junk. Quick clean, paint and putty restorations that don’t address problems like severe wear and tear. All lathes eventually turn into boat-anchors!
Unfortunately there’s no easy way for a beginner to assess the condition of a second-hand lathe, unless of of course the faults are bleeding obvious. The machine needs to put through its paces, all the controls exercised, cutting metal. Always suspicious when a machine can’t be demonstrated, although grieving relatives may not know how to. Cutting metal reveals faults like no other. Tapers, jambed controls, jumping out of gear, poor finish, noises off, electrical tingles, stalling motors and smoke are all danger signs. Sadly, an untrained operator is likely to create many similar symptoms by mishandling.
Describing a machine tool as ‘lovely’ is a bad reason for wanting it. Better I suggest to think in terms of what it’s for. The Schlaublin mentioned is truly an object of desire, but completely over the top for most hobby purposes. Won’t be a problem until it needs repairs, at which point expect to pay huge money to get it sorted. A Super 7 is more practical in an average sized workshop, but likely overpriced compared with a next step up manual lathe like a Boxford. (Their basic model was about three times more expensive than a well-equipped Super 7. The advantage of an industrial lathe in good condition is they are very heavily built, reduce the amount of skill needed, and are likely to last forever.) Three-phase power might be a problem.
I decided to start by buying a Chinese mini-lathe in order to learn from it, and expected to upgrade to second-hand ex-industrial later. Didn’t turn out that way! Using a mini-lathe for a year taught me a huge amount about what to look for. Although rather rough mini-lathes are capable of most modest work, not quite up to Myford size jobs. Their shortcomings are highly educational, for example the banjo is a pain to set-up, but most seriously I quickly found it was too small for my needs. The ‘too small’ issue proved that I needed a bigger lathe than a Super 7. The experience also showed me new Chinese equipment was ‘good enough’ for my needs, helpful because buying new de-risks what happens when a dud machine arrives. Consumer protection applies, which it doesn’t when buying pre-loved privately. So now I have a far eastern workshop.
What the lathe is for also covers important issues like Metric vs Imperial. I do experimental work, for which Metric is a significant advantage. Others build steam locos and other models from Imperial Plans, or restore old British equipment. An Imperial workshop suits them far better. Metric is better today for modern modelling and general purpose engineering, because like it or not the world is slowly moving away from Imperial and US English measure.
The type of work also governs what accessories are needed. Expect to spend as much on accessories as the lathe itself, so ideal if you can find someone selling the outfit you need as a bundle. But don’t be surprised to find the previous owner’s accessories include a lot of weird stuff, and many essentials are missing or broken.
How big is your workshop, and what sort of jobs will you do? This being a hobby, almost anything is allowed. Some get huge pleasure simply out of collecting and maintaining ‘quality’ tools, and rarely use them in anger. Others enjoy beating their machines senseless, hacking through metal at Victorian sweat-shop piece-work rates to some narrow purpose like making replica classic car-parts, or churning out Meccano gears. Others repair stuff for fun or profit, anything from bikes to zithers. Clocks are different again. Many enjoy making tools. Though my main focus is experimental, I spend a fair amount of time pootling, mastering various techniques just in case they come in useful. Some love immaculate workshops, mine is too embarrassing to photograph…
Dave