Posted by julian atkins on 20/06/2023 23:36:32:
Hi Dave (SillyOldDuffer),
Can I ask you about the coherer please that apparently Artie used. It is subsequently claimed much later on that Artie upgraded his wireless telegraphy set after October 1911 or thereabouts so that by the time Titanic sank his set was not that as per the Daily Sketch pics that we now have the glass plate negatives of, and was better.
…
I don't think Artie's receiver has a coherer. The receiver part of the picture is unclear, so I might be wrong, but joining the dots I believe it takes a different approach – an electrolytic detector. An electrolytic detector, rather than a coherer, is suggested by the clearly seen rheostat (potentiometer).
Both detectors extract the message signal from the transmitted wave, though they do so in different ways.
A coherer is a small tube containing metal filings that clump together when a high-frequency wave arrives, causing the DC resistance to drop and the headphones to click along with the morse characters. Insensitive, and the tube has to be tapped to un-clump the filings. If anyone fancies making a coherer, Nickel Silver is suitable – file down an 50p coin. Very popular in the early days – easy to make, but not ideal.
An electrolytic detector is a sharp metal point just making contact with an electrolyte such as dilute Sulphuric Acid. It has to be biased with a small adjustable DC voltage, which I think is provided by the rheostat. They work like a diode, are more sensitive than a coherer, and don't have to be tapped. Bit harder to make, and have to be kept still – fine on a fixed bench, hopeless on a ship or vehicle.
The Titanic had a patent Marconi magnetic detector, an expensive device, better than a coherer, and reliable at sea. In them, the high-frequency wave causes a magnetic field to collapse, which clicks the headphones. Artie definitely doesn't have one!
As an enthusiastic experimenter during a period of rapid development, I'm sure Artie made many changes to his rig. What's shown in the 1911 photograph is very primitive by modern standards – everything about it can be improved! I judge it a notch or two behind the best professional equipment available in 1912, but still in the same league. For example, Artie's installed a simple way of tuning the receiver, but no way of tuning the transmitter. I'm sure he was thinking about improving both. The most important part of the installation is the aerial, requiring a lot of wire in the air, as high as possible, and in the right place.
My interest in Marconi has been piqued, so I've ordered a copy his biography, .' Published in 2016, I'm expecting it to shatter my Boy's Own Paper view of Marconi as radio hero and all round good chap! I already know he was a sharp business man, perhaps of the worst type, who changed and denied his own story repeatedly during his lifetime. As did his company and supporters. Most contemporary accounts are highly managed, the cracks only appearing when versions are compared with each other and independent evidence. Most early accounts of his doings are suspect, a complex web of genuine progress and deceit.
I wonder if the biography will mention Artie Moore? I'm sure my dad won't be in it. He worked for Marconi circa 1990 and Guglielmo died in 1937!
Dave
Edited By SillyOldDuffer on 22/06/2023 12:01:13