Wish I could find the old Model Engineer magazine circa 1960 I have that lists an editorial team of about 8 people. Happy days, slow moving, with plenty of cheap labour. Maybe a couple of proof-readers in the background and no doubt they had a Tea Lady, Lift Attendant, Office Boy, Buttons, and Commissionaire on the staff too.
In contrast, I believe Neil edits MEW on his own, and the job is part-time. Mistakes are inevitable whenever hard work is rushed to a tight schedule and I can’t get excited about the odd typo in a hobby magazine!
Dave
And the editorial panel of eight or more always seemed to include names such as Prof Chaddock, GH Thomas, ET Westbury, Ian Bradley and so on.
But between them and the printers, where the proofreaders were to be found, would have been a squad of nameless sub-editors whose job it was to correct spelling, grammar, style and factual errors, as well as untangle twisted prose, before it got sent to be set in hot lead to make a printing plate. (Or earlier, set in rows of moveable type all clamped together.)
The plate was then used to run off a few “galley proofs” which were then pored over by actual proofreaders and any errors that had slipped past the squads of editors and sub-editors and compositors and typesetters were corrected .
With the demise of hot lead and the rise of computer-generated photo-etched printing plates in the 1980s-90s, the proofreaders were all “let go”, along with the compositors who had made, and checked, the hot lead plates. The onus for accuracy fell to the sub-editors.
Then as print advertising revenues declined in the 21st century, the sub-editors were all “let go” and the last remaining editor left out of the editorial panel of eight got to do all the editing, and all the sub-editing and all the final proofreading himself (on “proofs” from his own office laser printer).
Now, with the press of a button on the typical last remaining editor’s computer in the spare room of his home, a completed printing plate typically comes out of a machine next to the press some hundreds or even thousands of miles away. Without even a cursory glance, it is bolted into the press, which starts spitting out magazines immediately.
Not a tea lady in sight. Nor a sub-editor, let alone a proofreader. All part of a bygone era, as you say. Today’s advertising revenue simply won’t support it. In the heyday of print, advertising was reckoned at 85 per cent of revenue for most newspapers and magazines, and termed “The rivers of gold”. Now that most advertising has gone over to the internet, publications are left to struggle along largely on the remaining 15 per cent trickle that traditionally came from subscriptions and cover sales.
All things considered, the error rate ain’t too bad. But it certainly ain’t what it used to be. I rarely read a book these days without finding at least a couple of errors in it, let alone a magazine or newspaper. (And that includes the websites of the major international dailies I read.)
‘Tis the world we live in.