Being brutally honest, it is not really fair to blame the publishers of a hobby magazine for sparse contents (I refuse "content" !) if the problem is too few contributions.
That is so whether a commercial "glossy" like ME and MEW; or a club newsletter – but I am rather biased. Although never a professional writer I have had letters published in ME, helped write two or three papers for the British Cave Research Association's Transactions; and years back I did time as editor of two, separate, caving-clubs' "Journals". Sounds fancier than "Newsletter".
A notable feature about the last, and this may be paralleled for some model-engineering club magazine writers and editors, was the effect of putting a lot of effort into the latter club's publication's appearance.
I was the first, and it eventually transpired last, of its volunteer editors to have used physical copy-and-paste techniques, and though unable to use photographs, those methods lifted the look of the Wessex Cave Club Journal over four 1980s years from rather staid to a style that helped encourage even more very good articles – it always had those. I did have an Amstrad PCW9512 for the text (and even used it for a book mss); but my successor could go much further technically, helping the magazine become a high-grade DTP creation rich in photos, the cover ones in colour, on its glossy paper.
Now, a commercial magazine can give us all the looks and more in shovels full, using professional techniques and skills few hobby clubs are likely to have. Yet for both commercial and amateur specialist magazines written largely by readers, looks are still only part of the story. They still need good, varied contributions from readers, and a plentiful supply and variety usually attract more articles – and about the publication's main subject..
It seems that as if the magazine is perceived as worth writing for, more people will write for it. I think good appearance without going too far suggests the publishers respect the writers' work, while worthwhile material is its own attractant.
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Complaints about "our" magazines are not new. I have met those who say "There's nothing in Model Engineer", meaning there is, but they see it as mainly long serials about how to build things they are not building themselves.
Maybe so, but I sometimes glean information useful more generally. On the other hand, reading how someone milled some detail of very high-grade project will not necessarily teach us much about milling than is available more easily in the Workshop Series and similar reference-books. Besides, those accounts apply to the builder's own skills, machine-tools and accessories not necessarily duplicated in our own.
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Cost will be a big factor of course, especially and sharply now, with everything else; with a fiver a fortnight shop price for ME. (I think MEW is similar). With cost comes value – is your year's stack of magazines more valuable to you than your Workshop Series collection (10, in mine); irrespective of which cost more to accumulate? (Or the two books on machining, that keep popping up right next to this panel, in the ARC ad…)
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In recent times, ME has improved with the historical articles, museum reviews and the like; and I do approve of the policy of separating all the trade ads from the articles.
However, if in the end we might feel we don't get what we pay for; we won't if not enough of us write at least letters or short articles, not just the long constructional serials.
It's up to us, really!
Edited By Nigel Graham 2 on 19/08/2022 00:10:33