I was having a quick play earlier on whilst I was photographing some milling cutter chucks for an album I'll eventually upload on the forum. All the following are pretty much uncropped, save for trimming the edges where I straightened them up, or changed the aspect ratio.
When you look up close, you can see why cheap taps are a bit of a pain to use.
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And one from the Clarkson collet chuck; the characters are a little under 2mm tall.
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I was quite impressed with the neatness of the engraving, to say it looks hand done.
The last one was taken with the Olympus 60mm macro & 10mm + 16mm extension tubes, on an E-M1 Mk2.
The pair of the tap, I was trying for a bit more magnification, so used the older 4/3 50mm macro with a 25mm extension, which gives a 1:1 magnification, still on the same m4/3s body.
[On the 4/3 DSLRs only one accessory is recognised, hence using it on the micro 4/3s body, where I could cheat, by using an extension tube on either side of the adaptor.]
This meant I could use the m4/3s to 4/3 adaptor and add both 10mm + 16mm extension tubes.
The front of the 50mm also sported a Sigma macro anastigmatic doublet; it doesn't give as much magnification as a Raynox, but it's all I have.
I think this is about as magnified as I can get without trying something more exotic; I was struggling for depth of field on the tap as it was.
Bill