Dave,
My right ear succumbed to Menieres disease, probably initially in 2000, then started up in earnest in 2005 and in 2007 & 2008 I had two operations involving the use of gentamycin to kill the little sensing hairs in the semi circular canals. Two operations because the initial success rate is only about 70% so the unlucky people like me have it done twice. Now that worked to stop the debitating dizziness I was getting but at the expense of losing most of my hearing. It might have been failing before that, I can't remember, but since then I've had virtually no hearing in the right ear, hence the "ghetto" blaster to try and give me something.
In respect of the left ear, something happened in 2017. Prior to then, I had been singing with various choirs for something like 50 years and at the time of whatever happened, I was a regular member of two choirs and an occasional member of other choirs if needed. What happened was that one of the main choirs gave a concert performance of Haydn's The Seasons, and at some point during the performance I remember thinking that the little seven piece orchestra was rather loud. At the end of the performance, I discovered that I had lost low frequency response in that ear. Unfortunately, I was scheduled to take part in a concert the following evening, and another concert two weeks later with two other choirs. The only way that I could take part in those concerts was because there was another singer adjacent to me who I could just about hear. I obtained a referral to Audiology who confirmed what I already knew, namely loss of bass response, and gave me a hearing aid. Since then, that ear has changed again. Apparently I now have poor overall hearing in that ear but the bass response has returned. So overall, I've sod all in my right ear, and less than normal response in my left ear. So a hearing aid adjusted for my left ear response and the "ghetto" blaster above.
Singing has come to a dead stop – I just daren't take the risk of losing what hearing I do have, even though I don't actually know what happened. And lets face it, a choir and orchestra going "full chat" can produce a heck of a lot of sound.
Just for the record, one of the most exhilarating concerts I took part in was one where we ended by performing Handel's Hallelujah Chorus. The way the conductor conducted us was that during the closing phrases, we had a gradually increasing crescendo such that by the time I, and I think other people, got almost to the end, we were going absolutely flat out. This was followed by a silent bar and the cutoff was amazing – flat out to zero in nothing flat.
Tootle pip,
Peter G. Shaw