Posted by lee webster on 20/08/2022 08:17:12:
I was once invited to watch a pour of cast iron at an engineers a couple of years ago. He added glass, bits of broken bottles, to his crucible. He was advised to do it by a foundryman. Apparently the molten glass acts like a magnet to attract a lot of the dross. He used brake rotors, disc brakes, for his scrap. They must have been from a lorry or railway train by the looks of them.
Using glass on top of an iron melt achieves nothing (as far as any knowledge I have on that topic).
The slag from iron is easily skimmed off, and no additives are needed.
One large foundry (Lodge I think, the cast iron skillet folks) uses vermiculite as a slag coagulant, and they dump it on top of the melt, and then roll a rod in it, to wrap the slag around the rod, where it can be dragged out.
With a crucible melt, the crucible is not very large, and the area to be deslagged is small, so one or two passes with a skimmer is all it takes to remove the slag.
Iron slag is easily separated from the molten iron, and there is a very clear line of demarcation between the two.
I have seen more than one person who uses a method or material, and they create good castings, and thus they become convinced that the method/material that they used is the reason they have good castings.
Often the method or material that folks use has nothing to do with making a good casting, and they get good castings because the method or material had no effect on the melt.
One has to use a blind test to determine if something actually affects the melt, and often I see the wedge test used. There is another test that measures the fluidity of the melt.
I don't use any type of testing on my iron, but instead rely on the fact that my iron castings have no internal or external flaws, and no hard spots anywhere in the casting.
The art-iron folks sometimes use calcuim carbonate in their melts, I think for slag control and fluidity, but I don't use that. I never use any additive that is not required, ie: I don't try to fix problems that I don't have.
The instance I have heard about when using glass on top of a melt is with brass/bronze that has significant amounts of zinc in it.
The zinc tends to burn off before a brass melt is at pour temperature, and that is problematic.
My solution is to melt bronze mixtures that have little or no zinc in them.
If one does use a glass cover, one must be sure to skim it all off, else the glass will flow with the molten metal, just as slag will, and you will have glass inclusions in your casting.
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Edited By PatJ on 20/08/2022 23:33:13