A learning experience:
I am just coming to terms with using my flycutter and, to me, it seems to be the Milling equivalent to parting on a Lathe. It's scary to watch unless you get it right. When it works ok, you cannot imagine what the problem was, ever.
My first results were more or less just banging and rattling as the tool hit the side of the work and was because I started trying to make the tool like a turning tool. It is now 'obvious' that the tool slopes diagonally down from the holder but I failed to realise just how much. It is very hard to think in the 3D that's necessary for understanding cutting tools and I failed to realise that the two cutting edges for a turning tool are not the same two cutting edges as on a fly cutter. (The two operate nearly at right angles to each other). The more I persevered with this mistake, the worse it got. I now realise that the basic relief slope of the fly cutting tool is already provided by the holder. I was putting a 'heel' on the tool which was destroying this relief and giving me a very long cutting (hammering) edge.
My mistaken ideas were not helped at all by all the videos I watched because the guy shows a diagram. He then uses the grinding wheel to produce a beautiful face but then, 'abracadabra' he moves it and rotates it in the air and I'm totally lost. Which face has gone where? Despite having grown up as a 'formal' learner of theory using Maths, I have now joined the kinaesthetic school (learning by doing).
The shape of a milling cutter and the way it functions somehow makes more sense to me (now) as you can eyeball the tool against an actual flat surface better than the curved surface you have when you're turning on a lathe. As I increased the bottom relief, the banging eased up until it turned into more of a 'swish' of a scythe through grass. Sudden grooves and stalling (only a toy mill) seem to be things of the past now and I am working on 'that curve' to spread out the grooves from a pointy cutter.
The patterns that the flycutter (and all the other cutters) are quite disturbing as the illusion is that the finger smooth surface has deep grooves running along it. I guess that is largely down to a record of tiny vibrations – like a vinyl disc.
On the subject of raggedy edges, I was looking at this YouTube link and, although it is mainly about plastics, the principle seemed sound (and he demonstrated hi theory works – for him). The rake on the outer face of the tool seems to be very relevant for materials that are soft and weak. He says that a negative rake allows the tool to get right to the edge of the piece without being pushed out, rather than cut properly, and then the last bit is levered out by the wedge and falls off as an ugly edge.