Hi Clive.
For a drying marker I use an extra large permanent "Sharpie" marking pen It dries quickly.
For large castings you can buy line marker in pressure packs from builders suppliers White, Orange, Black and Blue are available from local suppliers in Melbourne OZ where I live. it is fairly thick so not ideal for fine work.
I use Prussian blue artists oil colour as a marker for scraping and fitting. This is available from artists suppliers. Don't make the mistake of buying the "Student Grade" (I did) Ask the assistant for the best available it will cost more but it is worth it, High quality Prussian blue artists colour is very finely milled and pure without additives. You do not need a huge tube a small tube will last a long time.
The real art is in applying it to the work thinly and evenly. For large flat areas a small softish rubber roller about 50mm wide; also available from artists suppliers, will assist in rolling out a thin even coating. (Make sure it rolls true…..or make your own) the coating should be almost transparent. once applied place the two parts to be mated together and if possible slide them a few millimetres. You will find the high points to be scraped off clearly marked.
If you have a surface plate you can roll the coating on that. and use it as the master. A small sheet of plate glass works well.
The oil paint should not dry out for a few hours allowing you to work for quite a while touching up the coating as you go with the roller.
For non flat areas I find a finger is hard to beat although it is a little messy.
At the end of the session clean up the work, master, roller and your hands! (use sparingly on them) with mineral turpentine.
Hopefully the materials are available in your area.
Cheers
John
Edited By John McNamara on 25/05/2012 14:00:41