Plenty of info on the web about this but no threads on here that I can see. If you're a beginner you may not have heard of it but old hands surely will. There are many ways and tools that can be used to achieve this traditional attractive finish to smooth steel but I thought I would just describe the tools and method I use.
A jewelled finish looks like this:
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Essentially a series of overlapping circles in a regular pattern. A photograph fails to capture the dynamics of the beautiful finish which moves and shimmers as it is turned in the light.
The pattern is ground into the surface of the metal using some sort of flexible head (rubber, synthetic, nylon, metallic brush..) as a rotating tool and some carborundum (valve) grinding paste. It is the grinding paste that does the work, whilst the head dimensions govern the size of the pattern. Naturally you will need some method of indexing the workpiece so it is moved in precise steps in X-Y axis (for flat surfaces) or x-rotation (for cylindrical surfaces).
The rotating tool I've found which works best is a small (5mm diameter) wire brush contained within a home-made holder which constrains the brush filaments and stops them splaying outward.
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Only about 1/16" length of the filaments are allowed to extend beyond the end of the holder – and you will need to keep checking as work progresses because they will wear away fairly quickly.
This was my setup on my mill for the job shown above, with the workpiece held in a 3-jaw chuck attached to my HV6 rotating table. The mill bed takes care of the X-axis steps by way of the handwheel markings, whilst the rotational steps are achieved with the HV6 handwheel. It is an extraordinarily boring job to be sure, and one that could readily be done on some CNC machinery. However, need must… and the results are worth the effort.
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In the picture above you can see the workpiece is coated in a generous amount of grinding paste (180-grit in this example), and the end of the brush is brought into gentle contact with it. Don't press hard! – it is not necessary and will achieve nothing other than premature wear of the brush head. Only a light contact is required, and In this particular job I counted for 15 seconds then released. (Did I mention this was boring…?). If you press too hard you can also end up with deeper scoring than expected and possibly a raised blob in the middle of the circle, either of which will ruin the finish.
Aim for an overlap of about 50% of the circle diameter in both axes, there is no hard and fast rule about this but that is a good starting point. Don't forget to keep checking on wear of the head, I had to re-set the depth once part way through this job. Oh, and make sure you cover all machine beds with rags or paper towels to keep the grinding paste off them – slideways and grinding paste don't mix well.
I suppose the difficulty of attempting this using a CNC setup is the loss of 'feel' which will normally compensates for any gradual wear in the brush head. A fixed depth setting simply won't work. I guess you would have to use a tool modified so it is weighted and able to slide freely (vertically) on a shaft – the CNC spindle will take care of the indexing just fine, the weighted head producing a nice even pressure (with exaggerated Z-movements when moving to the next step). Wish I had some CNC kit to experiment with ![](data:image/gif;base64,R0lGODlhAQABAAAAACH5BAEKAAEALAAAAAABAAEAAAICTAEAOw==)