Having written a few articles my sympathies are with the editor who has to finesse whatever rough diamonds are contributed by his authors into the space and format available. Must be like assembling a jigsaw puzzle from random pieces provided by a crowd.
I imagine contributions vary tremendously from digital professional quality to handwritten notes with blurry photographs and incomprehensible sketches. The magazine seems to put more emphasis on publishing interesting work than insisting on the author having top quality production values, but it means the editor and team have to put a lot more effort into beautifying and organising contributions. The originals might not be crystal clear.
Some of the images I provided were general scene setters that could go almost anywhere or be left out entirely. Others went with particular sections of text. It's hard work for the author to indicate this, typically by putting a marker in the text 'picture 4 near here' in the text. These instructions are easy to get wrong and the editor has to them strip out. I provided an indexed list of images in hope of clarifying which was which.
No idea whether Neil used it or not, but I created a PDF of the finished article complete with images where I thought they should all go. I used it as part of my checking process; asking does this make sense as a whole. It's amazing how obvious errors creep past: it's because anyone close to the work reads what they expect to see, not what it actually says.
So I sent the editor:
- The plain text in an acceptable word processor format with referenced hints about image placement.
- A folder full of JPG images, plus an index giving a reference number and description of what they were.
- A PDF of the whole article in A4 format, with images placed where I, the author, would put them. This document is just a hint because the magazine isn't in A4 format, and the article will always have to be structured rather differently in print.
A magazine issue is assembled from these and other contributions individually laid out as their authors see fit. The editor has to bring a disparate range of stuff together, a job that might require major changes to the text, creating new images, and working round images that can't be made printable. There's more to being an editor than fixing a few spelling and grammar mistakes! Depending on what Neil gets, I'd imagine some MEW issues are straightforward to put together, whilst others are a nightmare. Of course mistakes are bound to be made!
Was it done better in the past? Maybe. One of my Model Engineering mags from the late fifties / early sixties lists a gigantic editorial team, from memory more than a dozen people. Hard to see how they were all paid! I think the modern magazines are produced by much smaller teams, and all in glorious technicolour too.
Dave
Edited By SillyOldDuffer on 29/12/2022 15:48:56